bronze sculpture Sword, Symbol of Royal Family

Volumes of the two snakes wrapped around a frog. Frog mouth violent head, trying to break free like. Longkou large sheet of mouth, a rim of the forelegs gripped Long, head stretched forward, as if to escape the invasion of the evil snake get the protection of the Dragon, serene state. Dragon, snake, frog combination of the three together, is a highly plastic arts china bronze statue boutique. Snake, frog 61 was the totem of the ancient Yue people, the dragon is one of the four gods worshiped by the Central Plains, the snake wrapped around the frog, dragon stood on the snake to protect the frog tells the story of a legendary totem myths. Now in the possession: Guangzhou Xi Hannan Yue Museum. The celebrated bronze with pictures of mulberry leaf harvest, banquets and land and water battles on it can be rated as the masterpiece in this type.
55 angle he’ll have the Western Han Dynasty. Through long, 18.4 cm, diameter 5.8-6.7cm, micro-residues on the rim, quality jade, translucent, local red-brown dip spot. Imitation rhino horn-shaped, hollow. At least two points can be seen from the contents shown on the decorations on the bronze sculpture of Eastern Zhou. Mouth oval, down gradually pack, near the bottom of rolls cord back wrapped around the body of the lower part. Ornamentation since the rim at a standing position Kuilong backward Expand decoration wrapped around the body of the loop volume, and gradually from the high to high relief by the bas-relief, and the end become a sculpture in the round. In the relief decoration, but also with a single line of collusion between the thunder pattern to fill in the blank filler.
A Kuilong winding body, set the bas-relief, high relief sculpture in the round art as a whole, before the Ming Dynasty, a Han Dynasty posthumous history of jade is accounted absolutely important position. The performance on the decoration and shape of the bronze statue is that in the early and late Spring and Autumn the, the style and shape of animal and human patterns carry forward the style of the late Western Zhou Dynasty style. The absolute product of the Han Dynasty in 1983, Western Han Nanyue Tomb. Now in the possession: the Nanyue King’s Tomb Museum. 6256 figure Dragon dynasty Warring States Period late segment. 37.5 cm long, 28 cm wide. Flat on the frame unearthed coffin lid Hing coffins between Mingjing lead the soul to heaven, because of the age-old has shown a brownish yellow. Depicting the scene of the the shaman dragon heaven. Shaman topped the Kuanpao, the sidearms sword, holding a stiff rope, and looked cool to control the dragon.
Long first imposing, Shan Qiao Volume Long As the boat upwind Endeavour. Lung Mei long-necked crane on top of legislation, there are fish under the dragons. Painting on silk in the canopy of streamers and shaman pine breeze, the performance of the sorcerer dragon soaring momentum. The middle of a bearded man, sideways upright, holding the reins, controlling a dragon.
Zhengzhou chinese bronze “hegemony,” the battle of the brands behind the reporter Mingde intern Li Qing core suggest another card has become the city Zhengzhou is located in the heart of the history of civilization in China, bronze. Along with the bronze boom in recent years, the Zhengzhou bronze industry developed rapidly, and now six markets. Old and new bronze the rapid rise of the market, making the old bronzes of Zhengzhou City, embarrassing pattern of “enough”, the opening of the new bronze City, at the moment like “Snapdragon” intensified the competitive situation of the bronze market. The bronze dragon of Xia Dynasty completely negate the mysterious, majestic atmosphere and dull and standardized way but head toward realism. In this pattern, the Zhengzhou bronze industry is how to break through? How should heritage of traditional Chinese culture?

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